fondazione prada serial classic discobolo | SERIAL & PORTABLE CLASSIC fondazione prada serial classic discobolo La mostra “Serial Classic”, co-curata da Salvatore Settis e Anna Anguissola, è dedicata alla scultura classica ed esplora il rapporto ambivalente tra originalità e imitazione nella cultura romana e il suo insistere sulla diffusione di multipli . Fall Guys. The US-only FFXIV x Mountain Dew collaboration is real, behold the Mountain Zu. Phial of Fantasias will get a rework, plus you can score a free one. FFXIV’s KFC returns soon, but it .
0 · Serial and Portable Classics — 2x4
1 · Serial Classic
2 · SERIAL CLASSIC – Fondazione Prada
3 · SERIAL CLASSIC
4 · SERIAL & PORTABLE CLASSIC
5 · Neutral Serial
6 · Maurizio Ferraris: "Il Discobolo e la Brillo box"
7 · Fondazione Prada campus, Milan / OMA
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Serial Classic (Milan, May 9-August 24) is an exhibition curated by Salvatore Settis and designed by OMA for Fondazione Prada. Occupying the Podium of the new Milanese complex, Serial .La mostra “Serial Classic”, co-curata da Salvatore Settis e Anna Anguissola, è dedicata alla scultura classica ed esplora il rapporto ambivalente tra originalità e imitazione nella cultura romana e il suo insistere sulla diffusione di multipli .
‘Serial Classic’, co-curated by Salvatore Settis and Anna Anguissola, focuses on classical sculpture and explores the ambivalent relationship between originality and imitation in . To coincide with the opening of the new venue, OMA has designed two exhibitions for Fondazione Prada: Serial Classic (Milan, May 9–August 24) . Exhibition ‘Serial Classic’,co-curated by Salvatore Settis and Anna Anguissola, focuses on classical sculpture and explores the ambivalent relationship between originality .Ca’ Corner della Regina, Santa Croce 2215 30135 Venice t. +39 041 810 9161 [email protected]
Serial and Portable Classics — 2x4
Salvatore Settis talks about exhibitions "Serial Classic" (at Fondazione Prada in Milan) and "Portable Classic" (at Fondazione Prada in Venice).
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The opening of the new Fondazione Prada Headquarters in Milan highlighted two major related exhibitions: Serial Classic on-site in Milan and Portable Classic at Ca’ Corner in Venice. These .La mostra “Serial Classic”, co-curata da Salvatore Settis e Anna Anguissola, era dedicata alla scultura classica ed esplorava il rapporto ambivalente tra originalità e imitazione nella cultura .
Neutral Serial - Portable Classic - 2015: Visit the official PRADA e-store, discover the Prada Home collection and buy online now. With the exhibitions “Serial Classic'' and “Portable Classic'' .Miuccia Prada e Patrizio Bertelli e il Soprintendente artistico e scientifico Germano Celant. Le mostre “Serial Classic”, a Milano, e “Portable Classic”, a Venezia, uniscono idealmente le due sedi della Fondazione nel corso dell’estate 2015. I progetti espositivi, il cui Photograph by Bas Princen, Courtesy of Fondazione Prada. To coincide with the opening of the new venue, OMA has designed two exhibitions for Fondazione Prada: Serial Classic (Milan, May 9–August 24) and Portable .
L’indagine portata avanti con Fondazione Prada riguardo la contemporaneità dell’arte antica è iniziata nel 2015 con le mostre – co-curate da Salvatore Settis – Portable Classic, presso la sede veneziana di Ca’ Corner della Regina, e Serial Classic. Quest’ultima inaugurò lo spazio espositivo milanese della Fondazione in Largo Isarco. Salvatore Settis talks about exhibitions "Serial Classic" (at Fondazione Prada in Milan) and "Portable Classic" (at Fondazione Prada in Venice).Preface by Miuccia Prada and Patrizio Bertelli; introductory essay by Salvatore Settis; texts by Anna Anguissola, Michael Bennett, Vinzenz Brinkmann, Kathleen W. Christian, Maurizio Ferraris, Daniela Gallo, Davide Gasparotto, Carlo Gasparri, Tonio Hölscher, Rem Koolhaas, Lothar Ledderose, Maria H. Loh, Jan Stubbe Østergaard, Claudio Parisi . Serial Classic: Multiplying Art in Greece & Rome (May 9th – August 24th, 2015) conceived by Salvatore Settis. Analyzes the themes of seriality and copy in cl.
‘Serial Classic’, co-curated by Salvatore Settis and Anna Anguissola, focuses on classical sculpture and explores the ambivalent relationship between originality and imitation in Roman culture and its insistence on the circulation of multiples as an homage to Greek art.23 June 2015. One, a hundred, a thousand shows. The exhibition project at the new Fondazione Prada is a journey into the history of art: it starts out from fragments of classical statuary, noses and fingers, and culminates in recent sculpture, with the mutilated bodies of Robert Gober and Louise Bourgeois presented in the Haunted House, i.e. the iconic gilded tower of Rem .Fondazione Prada presents exhibitions realised in dialogue with contemporary artists merging different cultural domains like cinema, philosophy, and architecture.. Characterized by an articulated architectural configuration which combines seven existing buildings with three new structures (Podium, Cinema and Torre), the venue is the result of the transformation of a .
Ca’ Corner della Regina, Santa Croce 2215 30135 Venice t. +39 041 810 9161 [email protected] OMA, Fondazione Prada, Milano, 2015. View of the exhibition “Serial Classic”, co-curated by Salvatore Settis and Anna Anguissola, with an exhibition design by OMA. Photo Attilio Maranzano. Courtesy Fondazione Prada
Play Salvatore Settis: “Supremely original: classical art as serial, iterative, portable” by Fondazione Prada on desktop and mobile. Play over 320 million tracks for free on SoundCloud. SoundCloud Salvatore Settis . Serial Classic’, co-curated by Salvatore Settis and Anna Anguissola in Milan, focused on classical sculpture and explored . The following years saw many research exhibitions such as “Serial Classic” alongside other exhibition projects comprising works from Collezione Prada such as “An Introduction”, “In Part”, and “Trittico”, lm project “Roman Polanski: My Inspirations” and a series of choreographic actions titled “Atlante del gesto”.FONDAZIONE PRADA. Serial Classic. di Salvatore Settis “La testimonianza dei frammenti e dei resti di opere dell’arte classica, sono la testimonianza di ciò che accadde nel Medio Evo: il metallo valeva più di qualsiasi opera d’arte e veniva fuso; i marmi vennero spesso usati per farne calce e reimpiegati nella costruzione di chiese e .Serial Classic (Milan, May 9-August 24) is an exhibition curated by Salvatore Settis and designed by OMA for Fondazione Prada. Occupying the Podium of the new Milanese complex, Serial Classic focuses on the use and reuse of classical art, and it examines issues of reproduction and display, aiming to rethink classical notions of the socle its .
La mostra “Serial Classic”, co-curata da Salvatore Settis e Anna Anguissola, è dedicata alla scultura classica ed esplora il rapporto ambivalente tra originalità e imitazione nella cultura romana e il suo insistere sulla diffusione di multipli come omaggi all’arte greca. ‘Serial Classic’, co-curated by Salvatore Settis and Anna Anguissola, focuses on classical sculpture and explores the ambivalent relationship between originality and imitation in Roman culture and its insistence on the circulation of multiples as an homage to Greek art.
To coincide with the opening of the new venue, OMA has designed two exhibitions for Fondazione Prada: Serial Classic (Milan, May 9–August 24) and Portable Classic (Venice, May 9–September 13). Exhibition ‘Serial Classic’,co-curated by Salvatore Settis and Anna Anguissola, focuses on classical sculpture and explores the ambivalent relationship between originality and imitation in.Ca’ Corner della Regina, Santa Croce 2215 30135 Venice t. +39 041 810 9161 [email protected]Salvatore Settis talks about exhibitions "Serial Classic" (at Fondazione Prada in Milan) and "Portable Classic" (at Fondazione Prada in Venice).
The opening of the new Fondazione Prada Headquarters in Milan highlighted two major related exhibitions: Serial Classic on-site in Milan and Portable Classic at Ca’ Corner in Venice. These shows investigate themes of seriality and scale in the Imperial Roman era and the Renaissance.La mostra “Serial Classic”, co-curata da Salvatore Settis e Anna Anguissola, era dedicata alla scultura classica ed esplorava il rapporto ambivalente tra originalità e imitazione nella cultura romana e il suo insistere sulla diffusione di multipli come omaggi all’arte greca.
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fondazione prada serial classic discobolo|SERIAL & PORTABLE CLASSIC
