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Miuccia Prada is an Italian fashion designer best known as the head of Prada, a fashion powerhouse that specializes in luxury goods for men and women. “To have an idea of a woman as a beautiful silhouette – no!” Miuccia Prada tells Vogue in an exclusive Prada interview. “I try to respect women. I try to be creative in a way that can be worn, that can be useful”. MIUCCIA PRADA. The designer reimagined fashion’s relationship to art — and forever transformed what the world considers beautiful. By Nick .

From her international expansion of the Prada family business, to the creation of Miu Miu and the opening of the Fondazione Prada, Vogue charts the extraordinary life and career . Miuccia Prada, who celebrated her 70th birthday in May and possesses the kind of timeless features that beg to be rendered in oil paints, would herself look more at home in the .Beyond executing the most elegant of bows, Miuccia’s marabou-trim trench coat and climbing sandals are a lesson in finessing classic Prada style, which wasn’t lost on anyone stationed . How Miuccia Prada — and Miu Miu — became the muse of the season. Plus a detour through Chanel and Louis Vuitton.

Miuccia Prada does not like collaborations. “I’ve been asked to do a collaboration since ages!” she exclaims in heavily accented English. “They always seemed to be just about . Mario Prada made leather goods. In 1918 his collection included a lizard bag with marcasite and a buckle of lapis lazuli. The highlight of 1927 was a wallet in toad skin and silver. The pair met when Prada designed the navy blue wedding suit Leonardo DiCaprio wears in Luhrmann’s 1996 Romeo + Juliet and have since collaborated on 2013’s The Great Gatsby, and traveled . Mrs. Prada here looks youthful and vibrant, but her photo seems utterly unconcerned with primping or dissembling age. Her long, reddish-gold hair is tucked simply behind her ear, some stray .

Miuccia Prada is the former co-CEO and lead designer of the handbag and fashion empire Prada, which was founded in 1913 by her grandfather. She ran the business with her husband and former co-CEO . Prada was born to a bourgeois Milanese family—her father’s company made lawn mowers for putting greens; her quietly elegant mother inherited the celebrated luxury leather goods company founded .

Then, in 2005, Mrs. Prada and her husband, Prada Group CEO Patrizio Bertelli, appointed Simons to be creative director at Jil Sander. Soft Focus Li wears a faux-fur coat, dress, turtleneck, and . 2020: Raf Simons joins Miuccia Prada as co-creative director. Prada established a collaborative partnership with Belgian talented designer Raf Simons. Previously the creative director at Calvin Klein, Christian Dior, and Jil Sander, the . How Miuccia Prada — and Miu Miu — became the muse of the season. Plus a detour through Chanel and Louis Vuitton.

Miuccia Prada's pioneering approach also extended to architecture. She was one of the first designers to commission Pritzker Prize laureates Rem Koolhaas and Herzog & de Meuron to create Prada's "Epicenter" stores in New York, Tokyo and Los Angeles. In 1995, Prada and Bertelli's passion for contemporary art led them to create the Fondazione Prada with the . Prada cast the film’s 20-year-old star, Chloë Sevigny, to open Miu Miu’s spring 1996 show in Bryant Park, and then featured her in that season’s ad campaign. (Drew Barrymore appeared in . Hailey Benton Gates, a filmmaker who in 2019 directed one of the films in Mrs. Prada’s short-film series Miu Miu Women’s Tales, says that Miu Miu “feels like the place where [Mrs. Prada .

Perhaps the most well-known and beloved collection on this list, Spring/Summer 1996 gave rise to Prada’s signature concept of “ugly chic.” Using colors that hadn’t been in-vogue since the 1970s, such as dulled greens, browns, and purples, as well as mixed eccentric patterns, Miuccia once again challenged the typically glamorous and feminine industry standards.

2020: Raf Simons joins Miuccia Prada as co-creative director. Prada established a collaborative partnership with Belgian talented designer Raf Simons. Previously the creative director at Calvin Klein, Christian Dior, and Jil Sander, the . Miuccia Prada slips off her mannish grey coat in the concrete surrounds of her Milan office. Underneath, she’s wearing a crisp white shirtdress, legs bare despite the cold, with kitten heels from her latest collection. Her hair is pulled back from her handsome face, and the little red crocodile bag she carries is struggling to cope with everything she’s crammed inside.

Miuccia Bianchi Prada (Italian: [ˈmjuttʃa ˈpraːda, miˈu-]; born Maria Bianchi [maˈriːa ˈbjaŋki] on 10 May 1949) is an Italian billionaire fashion designer and businesswoman. She is the head designer of Prada and the founder of its subsidiary Miu Miu . [ 1 ]

Miuccia Prada is an Italian fashion designer best known as the head of Prada, a fashion powerhouse that specializes in luxury goods for men and women. “To have an idea of a woman as a beautiful silhouette – no!” Miuccia Prada tells Vogue in an exclusive Prada interview. “I try to respect women. I try to be creative in a way that can be worn, that can be useful”. MIUCCIA PRADA. The designer reimagined fashion’s relationship to art — and forever transformed what the world considers beautiful. By Nick HaramisPhotographs by Collier.

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From her international expansion of the Prada family business, to the creation of Miu Miu and the opening of the Fondazione Prada, Vogue charts the extraordinary life and career of the Italian fashion designer. Miuccia Prada, who celebrated her 70th birthday in May and possesses the kind of timeless features that beg to be rendered in oil paints, would herself look more at home in the lush, rich palette. Beyond executing the most elegant of bows, Miuccia’s marabou-trim trench coat and climbing sandals are a lesson in finessing classic Prada style, which wasn’t lost on anyone stationed front row for Miu Miu’s Spring/Summer 2017 catwalk show in Paris.

How Miuccia Prada — and Miu Miu — became the muse of the season. Plus a detour through Chanel and Louis Vuitton. Miuccia Prada does not like collaborations. “I’ve been asked to do a collaboration since ages!” she exclaims in heavily accented English. “They always seemed to be just about selling.

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392.22. Emergency signals; stopped commer-cial motor vehicles. 392.24 392.25. Emergency signals; flame-producing. Flame producing devices. Subpart D—Use of Lighted Lamps and Reflectors. 392.30–392.32 [Reserved] 392.33 Obscured lamps or reflective devices/ material. Subpart E—License Revocation; Duties of Driver. 392.40–392.41. .

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